Photo by Jane Fulton Alt
ABOUT THE ARTIST
Working in the medium of photography, Jeanine Michna-Bales is a fine artist exploring the impact of cornerstone relationships on contemporary society— those relationships between ourselves, others and the land we inhabit. Her work lives at the intersection of curiosity and knowledge, documentary and fine art, past and present, anthropology and sociology, and environmentalism and activism. Michna-Bales’ practice of in-depth research, often from primary source materials, enables her to consider multiple points of view, understandings of cause and effect, and the socio-political context of the subject matters she pursues.
Michna-Bales’ photographic essay on the American Suffrage Movement, Standing Together, was featured in the Summer 2020 issue of Smithsonian Magazine and the Arts section of The New York Times. An in-depth publication from MW Editions was released in May 2021 and a traveling exhibition will launch in 2024.
At the end of 2022, she released COUNTDOWN: A Visual Exploration of the Cold War’s Opposing Architecture with fellow photographer Adam Reynolds. A companion traveling exhibition is on tour around the United States through 2026.
A comprehensive publication of the Underground Railroad series, Through Darkness to Light, was released in 2017 by Princeton Architectural Press and includes a foreword by Andrew Young. An accompanying traveling exhibition through Mid-America Arts Alliance is currently touring the country through 2032.
Michna-Bales’ work has been featured in exhibitions throughout the United States at institutions including AIRIE Nest Gallery, Everglades National Park, Homestead, FL; Alexandria Black History Museum, Alexandria, VA; Barrett Art Center, Poughkeepsie, NY; Boone County Public Library, Burlington, KY; Canton Museum of Art, Canton, OH; Center for Contemporary Arts, Santa Fe, NM; Colorado Photographic Arts Center, Denver, CO; Denison Museum, Granville, OH; Edition One Gallery Book Store + Project Space, Santa Fe, NM; Evanston Art Center and Evanston History Center, Evanston, IL; Fort Smith Regional Art Museum, Fort Smith, AR; Gregg Museum of Art & Design, Raleigh, NC; Griot Museum of Black History, St. Louis, MO; Halsey Institute of Contemporary Art, Charleston, SC; Houston Center for Photography, Houston, TX; Hunter Museum of American Art, Chattanooga, TN; Jefferson School African-American Heritage Center, Charlottesville, VA; Lehigh University Art Gallery, Bethlehem, PA; Longview Museum of Fine Arts, Longview, TX; Meridian Museum of Art, Meridian, MS; Museum of Contemporary Art, Jacksonville, FL; National Museum of Nuclear Science & History, Albuquerque, NM; Nebula Gallery, University of Texas at Dallas, Richardson, TX; New Orleans Photo Alliance Gallery, New Orleans, LA; Newspace Center for Photography, Portland, OR; Ontario Museum of History and Art, Ontario, CA; Panola College, Carthage, TX; Portland Art Museum, Portland, OR; Portsmouth Art and Cultural Center, Portsmouth, VA; Power Plant Gallery, Durham, NC; Open Society Foundations, New York, NY; Texarkana Regional Arts Center, Texarkana, TX; The Mississippi Arts + Entertainment Experience, Meridian, Mississippi; The Phillips Collection, Washington, D.C.; Upcountry History Museum at Furman University, Greenville, SC; West Baton Rouge Museum, Port Allen, LA; and Wyandotte County Historical Society & Museum, Bonner Springs, KS.
She has been invited to present artist talks around the country at schools, symposiums, panel discussions and festivals including Albemarle High School, Charlottesville, VA; Alexandria Black History Museum, Alexandria, VA; Colorado Photographic Arts Center, Denver, CO; Dallas Center for Photography, Dallas, TX; Dallas International School, Dallas, TX; Denison Museum, Granville, OH; Evanston Art Center and Evanston History Center, Evanston, IL; Everglades National Park, Homestead, FL; Jefferson School African-American Heritage Center, Charlottesville, VA; Halsey Institute of Contemporary Art, Charleston, SC; Houston Center for Photography, Houston, TX; Independent School Association of the Southwest 2018 Arts Festival, Dallas, TX; National Gallery of Art, Washington, D.C.; New Orleans Photo Alliance Gallery, New Orleans, LA; Open Society Foundations, New York, NY; Review Santa Fe, Santa Fe, NM; Sheldon Peck Homestead, Lombard, IL; St. Anne’s-Belfield School, Charlottesville, VA; St. Tammany Parish Public Library, Slidell, LA; Texas A&M Commerce, Commerce, TX; Texas Women’s University, Denton, TX; The Cedars Union, Dallas, TX; The Phillips Collection, Washington, D.C.; Toronto North Star Festival, Toronto, ON; University of North Texas, Denton, TX; and Virginia Festival of the Book, Charlottesville, VA.
Michna-Bales’ work is in many permanent collections including Archive of Documentary Arts, Duke University, Durham, NC; Harn Museum of Art, University of Florida, Gainesville, FL; Lehigh University Art Galleries, Bethlehem, PA; Library of Congress, Washington, D.C.; Louisiana State University, Hill Memorial Library, Baton Rouge, LA; Museum of Fine Arts, Houston, TX; Portland Art Museum, Portland, OR; Princeton University Art Museum, Princeton, NJ; The Nelson-Atkins Museum of Art, Kansas City, MO; The Phillips Collection, Washington, D.C.; The University of Texas at Dallas, Richardson, TX; and University of North Texas, Denton, TX.
Her work has been featured in numerous publications and online blogs, including BBC World News, CityLab from The Atlantic, Dallas Morning News, DCist.com, Feature Shoot, Geo Historie, Hyperallergic, In Sight by The Washington Post, In the In-Between, Los Angeles Times, Lenscratch, Musée Magazine, NBC4 Washington D.C., New York Times Lens Blog, Orion Magazine, O The Oprah Magazine, Oxford American Eyes on the South, pdn Magazine, Smithsonian Magazine, Spot Magazine, Transition from Harvard University, UK Daily Mail, Virginia Quarterly Review, WABE 90.1 Atlanta’s NPR Station, WCPN-NPR and WVIZ-PBS ideastream Cleveland, Wired Raw File, Zoom Magazine, among others.
Including other honors, her work was selected for the 2016 Documentarian of The American South Collection Award from the Archive of Documentary Arts at Duke University. She was awarded the top Portfolio Review Prize at PhotoNOLA 2015, resulting in a solo show at the New Orleans Photo Alliance Gallery during PhotoNOLA 2016. Michna-Bales was named to the Critical Mass Top 50 in 2014 and in 2017.
She conceives and presents her projects in a way that spark curiosity about a given subject and encourage discourse among audiences of all backgrounds. Whether exploring the darkened stations along the Underground Railroad in Through Darkness to Light: Photographs Along the Underground Railroad (2002 - 2016), a campaign trail for women’s votes in Standing Together: Inez Milholland’s Final Campaign for Women’s Suffrage (2016 - 2020), long-forgotten nuclear fallout shelters in Fallout: A Look Back at the Height of the Cold War in America, circa 1960 (2013 - 2022), or the invisible epicenters of environmental turmoil through the project Terra Fractura: A Visual Survey of Manmade Earthquakes (2015 - present), her work seeks out places that are hidden in plain sight.